The Influence of Gothic Literature on Gothic Music Essay examples -- L

The Influence of Gothic Literature on Gothic Music Gothic encompasses many genres of expression. Gothic artists speak out through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, angiotensin converting enzyme genre of Gothic inspires another, creating fusing parallels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the much broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone. In Frankenstein, Mary Shelleys eerie diction turns otherwise normal elements of life into anomalous institutions, a transition which Gothic musicians frequently utilize. Under Shelleys power, science turns ungodly, men evolve into monsters, and happiness sours into pain. To an audience taught to celebrate science as a coercive step forward in mankind, Shelley shows the dark side of technolo gy. Science grows as not a life-giving or life-retrieving tool, but the very temptation which causes the character, Frankenstein, to sneak among the unhallowed damps of the grave and lose all soul or sensation but for the unwanted recreation of life (Shelley 39). Frankensteins passion helps no one, but in truth forces a being into existence against its wishes and the betterment of the people around it. Similarly, Gothic musicians use diction to taint common human behavior, namely mental contemplation and sexual intercourse. Through the use of diction, the mind becomes a twenty four hour unblinking watch, (Bauhaus) whose owner himself must trivialize as silly in order to come to grips with his thoughts. The depiction of the mind, no longer t... ...The stylistics of Gothic intermingle to produce an overall dramatic effect across the board of art genres. Henceforth, a chain reaction occurs. Artists create Gothic art in multiple genres, fans of each genre expose themselve s to the art, and inspiration leads to another rotation in the hertz of Gothic. Ultimately, the influence of art upon art keeps Gothic itself alive. Sources Cited Shelley, Mary. Frankenstein. refreshed York Bantom Reissue edition, 1991. Bowie, David. Outside. Beverly Hills, California, 1995. Tones on Tails. Night Music. England, 1987. The Cure. Seventeen Seconds. New York, New York, 1980. Bauhaus. Swing the Heartache The BBC Sessions. New York, New York, 1989. Internet. Available WWW httpwww.gothic.net/darkside/dmusic.html Internet. Available WWW http//www.allmusic.com/cg/x.exe1.